
8. 11. 2024, 7 p.m.
Mahen Theatre
Author: Pavel Haas
Conductor: Jakub Klecker
Director: Ondřej Havelka
Ensemble: National Moravian-Silesian Theatre
The performance lasts 150 minutes including a 25-minute intermission.
ACT I
Scene I
In the town square of a small town, a crowd gathers in front of the tent of the travelling doctor, Pustrpalk. Two members of his troupe, Sourmilk and Cobweb, entertain the audience with incredible tales of the doctor’s renowned medical expertise. Accompanied by fanfares, Pustrpalk enters and begins treating patients. While he truly helps a man suffering from mumps, the rest of his “successful treatments” are contrived performances with his accomplices to impress the onlookers and convince them to buy his reliable medicinal products. Servants bring in the beautiful wife of professor Stickler, Amaranta, who became partially paralyzed after a tragic childbirth and is seeking help. Pustrpalk cleverly sees through the nature of her illness and seats her, back exposed, into a basket filled with nettles. Enchanted by Amaranta’s beauty, the doctor invites her to join his troupe. The entire scene is watched by the ominous figure of a mysterious monk, Jochimus, a man hiding his true identity beneath his monk’s habit.
Scene II
Pustrpalk’s troupe travels from town to town.
Scene III
This time, the troupe camps in the empty square of another town. Amaranta, who joined the troupe after her recovery, arrives in an enormous crinoline. As Pustrpalk tries to help her into a carriage, he is spotted at the worst possible moment by his jealous wife, Rosina. A heated argument between the couple and both women turns into a public spectacle, and with Jochimus still pursuing him, Pustrpalk and his troupe are forced to leave the town in haste.
ACT II
Scene IV
The troupe camps outside the mill of a sick miller. Pustrpalk confesses his love to Amaranta, whose coyly rejections only further fuel his passion. After they part, Pustrpalk, hiding behind a wagon, overhears a plot by his companions Pickled Herring and Strongman, who plan to rob him. He confronts the conspirators, sharply rebuking them for their ingratitude, but eventually forgives them and decides to share his wealth with the entire troupe. They celebrate with wine, but the merry drinking soon escalates into a brawl, ending in tragedy. The troupe sets the mill on fire, and Pustrpalk flees in panic with Amaranta and Bachelor.
[INTERVAL]
Scene V
Pustrpalk, Amaranta, and Bachelor arrive in a larger town during a carnival. In the square, they watch a performance by Shabby the Quacksalver, to whom Pustrpalk offers a partnership. Pustrpalk draws widespread attention, and even the king, disguised among the crowd, is impressed by his skills. The king rewards him generously and declares him the greatest man of his time. Pustrpalk, celebrated by the crowd, searches for Amaranta, but in the meantime, she was kidnapped by Jochimus’ henchmen.
ACT III
Scene VI
Time passes, and Pustrpalk still longs for his lost love, Amaranta. His companion Sourmilk informs him that they are bringing in a seriously ill monk. It is Jochimus, who finally reveals his true identity and begs for forgiveness and salvation. Pustrpalk performs a quick surgery… Afterwards flees with his companions as a mob accuses him of murder and declares him a charlatan.
Scene VII
Years later, when Pustrpalk’s glory has long faded, his former companions gather in a tavern. They recount the unfortunate fate of their former master, who nowadays is said to suffer from paranoia and has turned to drink. A worn-out and drunk Pustrpalk enters and generously offers drinks to three poor students. The students try to guess his identity, and when they finally recognize him, Pustrpalk, in a fit of grandeur, improvises a mocking, self-ironic song about his miraculous healing methods. His former companions join in. In the midst of the revelry, Pustrpalk suddenly sees a vision of the monk Jochimus. He charges at the apparition with a sword but falls to the ground, lifeless.
Director: Ondřej Havelka
Conductor: Jakub Klecker
Scene: Jakub Kopecký
Costumes: Kateřina Štefková
Choirmaster: Jurij Galatenko
Dramaturgy: Juraj Bajúsň
Assistant director, inspection: Bohuslava Kráčmarová
Assistant conductor: Lada Valešová
Head of musical preparation: Jana Hajková
Music preparation: Jana Hajková, Jan Novobilský
Text follows: Hana Kluzová
Concert masters of the NDM Opera Chorus and Orchestra: Jan Šošola and Lucie Staňková.
Pustrpalk – Pavol Kubáň
Amaranta – Soňa Godarská
Pickled herring – Vincenc Ignác Novotný
Bachelor – Václav Čížek
Cobweb – Josef Škarka
The King – Pavel Divín
Monster / A man with a crutch / Innkeeper – Václav Morys
Jochimus – Martin Gurbaľ
Rozina – Eva Dřízgová-Jirušová
Fire-eater – Juraj Nociar
Tightrope walker / Town physician – Michal Kubečka
Snake-charmer – Petr Urbánek
Seller / Apothecary / student II – Tomáš Krpec
Servant II / student III – Ihor Maryshkin
Servant I – Jonáš Slovák
Deserter / Jochimus’ servant – Tomasz Suchanek
Parkour – Ondřej Friedrich, Adam Holub
Dancers – Adina Mlčáková, Petra Sejkorová, Julie Svitičová, Petr Hýl, Stephen McIntos
If we had to choose one Brno composer to commemorate during the festival, it would definitely be Pavel Haas. Janáček’s favorite student, whose life ended prematurely in October 1944 in the Auschwitz concentration camp, is connected to Brno not only because he was born in the city and studied here. Haas’ only opera The Charlatan had its world premiere at Brno Mahen Theatre in 1938. It will also return there after almost ninety years in a new production by the Moravian-Silesian Theatre Opera Company, directed by Ondřej Havelka and conducted by Jakub Klecker. Festival audiences will thus have the opportunity to see The Charlatan in the place of its birth just a few weeks after the Ostrava premiere.
Deception and delusion, potions, tricks and deceit all accompany the wandering charlatan Pustrpalk on his travels from town to town through a landscape destroyed by the Thirty Years’ War. Pavel Haas found his inspiration in a novel by the German writer Josef Winckler Doctor Eisenbart, based on the real-life character of the barber surgeon Johann Andreas Eisbarth who, although without a medical education, gained recognition even in Austrian court circles. The name of the protagonist and many other features, however, Haas added from a purely Czech source – the medieval The Ointment Seller. The tragicomic and almost Faustian tale of a wandering barber surgeon who promises the unattainable only to search in vain for happiness in his own life, premiered on the brink of World War II, less than three weeks after the Anschluss of Austria. The war and the death of Pavel Haas were the reasons why The Charlatan did not appear on stage until sixty years later at the opera festival in Wexford, Ireland. It will be shown in the Czech Republic for the first time since its pre-war premiere.
Patricie Částková